Theatrical Release Date:May 24, 1985 Release Date:October 17, 2000 Availability:Usually ships in 1-2 business days Shipping:International shipping available Condition:PERFECT FACTORY CONDITION ~ SHIPS FAST BY FIRST CLASS MAIL ~ SUPERIOR SERVICE GUARANTEED !
Amazon.com Roger Moore's last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the film is largely interesting for Christopher Walken's quirky performance as a sort-of supervillain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh
2.5 stars out of 4December 18, 2008 0 out of 1 found this review helpful
The Bottom Line:
Long-in-the-tooth Roger Moore stars in an uninspired Bond entry that lifts large portions of its plot directly from its (better) predecessors; A View to a Kill has little to offer aside from a catchy theme and an interesting Bond girl in Grace Jones' Mayday
License to BoreOctober 23, 2008 0 out of 1 found this review helpful
People who rave about this movie, it makes me wonder .. have you ever seen a Bond before (Particularly the early ones with Sean Connery and the Moore films LALD, TPWLM, FYEO & OP). This is a bad film no ifs ands or buts. Period. The plot is warmed over GOLDFINGER with Christopher Walken over the top as an East German superman experiment out of control as Max Zorin. Grace Jones bizaare as May Day, Tanya Roberts totally unbelievable as Stacy Sutton, geologist. The opening has Bond in the artic retrieving a micro-chip off a dead agent. This sparks a wild chase by Russian soldiers on skies. Bond starts on a captured snowmobile which gets blown up and the front fender becomes a snowboard, with Moore shooting down the snowy slopes to the Beach Boys "California Girls" !!! Lois Maxwell -- having participated in the aging process with gusto -- looks like Roger Moore's mother! The one -- and I do mean one -- bright spot is Patrick MacNee as Sir Godfrey Tibbet. John Barry's next to last Bond score and a title song by Duran Duran -- the title shortened FROM A VIEW TO A KILL to make it easier to come up with the lyrics.
Moore's Last BondOctober 19, 2008 0 out of 1 found this review helpful
Roger Moore's last Bond seems endless. History has been kinder to Roger Moore after mumbling swashbuckler Timothy Dalton and 110-pound weakling Pierce Brosnan proved he wasn't really that bad, but this is still a very weak film.
What's the common theme that make post-Connery Bonds so aweful: Director John Glen. With Glen behind the camera, Bond becomes a very workman like production with textbook framing and establishing shots. It's painful to watch, so formulaic.
Christopher Walken and Grace Slick were ripe with potential as villians, but ultimately a total waste of talent in this outing. Instead, incompetent Tanya Roberts is given the lion's share of screen time after Moore, and she sets a news standard for weak leading ladies in Bond films. Patrick Macnee from the Avengers appears, and actually serves well as Bond's sidekick in the first half of the film.
At 131 minutes, don't look for too many outakes on the DVD. When an action set involves Bond driving a firetruck, the fire is already out.
UnderratedFebruary 25, 2008 Roger Moore's last Bond film, "A View to a Kill", is considered by many to be one of the worst films in the series. In my opinion it's underrated. Yes, Roger Moore was getting a bit too old for the part but he still does a good job. My main complaint is Tanya Roberts's character, Stacey Sutton. She's not a very good Bond girl, but it is somewhat redeemed by Grace Jones's May Day character, one of the more colorful (no pun intended) Bond girls. Christopher Walken is a good villain and Bond gets help from Patrick Macnee who also does a good job.
The story is something of a rework of "Goldfinger", but it' still fun and has added some nice twists and been updated to fit the 1980s. The movie offers lots of fun action and in my opinon delivers what I expect from a Bond movie.
AVTAK needs to be re-evaluatedJanuary 23, 2008 1 out of 1 found this review helpful
Recently I upgraded from VHS to these new 2-Disc ultimate edition DVDs and i couldn't be more pleased. The films look and sound great, and the special features are intriguing.
I've always considered A View to a Kill as one of the worst, alongside The Man With the Golden Gun and Diamonds Are Forever.
Upon re-watching AVTAK i was amazed to discover that i really, REALLY liked it.
Here are some of the reasons why:
1. Great pre-title sequence with Bond in Iceland. First ever use of a snowboard in the movies! However, I still think using "California Girls" is inappropriate, but thats only a minor quibble. The chase ends in classic Bond fashion with an Iceberg Submarine waving the Union Jack flag.
2. Great theme song by Duran Duran.
3. Roger Moore looks old, but not unbelievable in the role. His age is a testament to his popularity as 007. I'm glad he came back for one more after Octopussy.
4. Christopher Walken and Grace Jones and some of the best villians EVER!
5. Amazing scene where Mayday basejumps from the Eiffel Tower, which is followed by one of my favorite car chases ever. Bond keeps driving despite his vehicle taking heavy amounts of damage.
6. Badguys getting back up after Bond used a shotgun loaded with rock salt.
7. Bond using the air from car tires to avoid drowning.
8. Exciting climax on the Golden Gate Bridge
I could go on and on....basically this 007 film is a great adventure from start to finish.
Roger Moore had a string of highbudget, high entertainment films starting with the Spy Who Loved me and ending with A View to a Kill.
Give this one another chance...this is classic 007.
